Table Of Contents
Intervallic Studies on Symmetrical Scales
240 pages of chromatic ascending and descending intervallic studies derived from the chromatic, whole tone and diminished scales. All of the chromatic possibilities are written out in 6/8 and 2/4 time. Written for the complete range of the flute, the exercises start at low B (below middle C) and go up to the extended range of E just above the sixth ledger line. Use to improve your dexterity in playing, hearing and reading the tonality of music written since the twentieth century.
Ellen Burr showed me her Intervallic Studies on Symmetrical Scales at the 2007 NFA convention in Albuquerque, NM. These are divided into two books: whole-tone intervallic scale studies and octatonic scale studies. My practice regimen has always included scale and arpeggio studies based on major and minor scales as well as whole-tone, modes and some more exotic scales. However I had not spent much time with octatonic scales. Their inclusion in my practice has increased my flexibility and stamina since they are full-range up to high E. Also, as my ear has absorbed the character of these modalities, some puzzles of construction in modern flute repertoire have evaporated.
The way that I use them is to do one section, for instance "B" Diminished using scale tones, in each practice session. I recommend also that you use earplugs due to the extremity of range. The plugs also help you stay more relaxed in the 4th octave. There are six of these, so when I've completed a cycle, I take a break of a day or so and start through again.
I can recommend these studies to anyone for both a physical and mental workout.
Lee Lattimore
$30 Book One: Chromatic and Whole Tone, 105 pages
$30 Book Two: Octatonic Scales, 135 pages
$30 Both books on one CD: pdf files ready for you to print
Introduction
Read the Introduction to Intervallic Studies
Table Of Contents
View the Table of Contents
Exercises Examples on B Whole Tone
View 6/8 Ascending
View 2/4 Ascending
View 2/4 Descending
View 2/4 Descending
View 6/8 Ascending using chromatic intervals
View 6/8 Descending using chromatic intervals
back to top